Tim Brenner is a creative who enjoys making things. He is a graphic designer, video/motion designer, welder, woodworker, synth + field recording enthusiast. With more than 25 years of experience in graphic and web design, including 20 years working with non-profits, he has brought countless ideas to life. His journey with sound began in the late 1980s with his first synthesizer/sampler, a Yamaha VSS-200, and his love for modular synthesizers has grown steadily over the past six years. He is inspired by their endless possibilities, always eager to see where the next patch will take him. Eager to connect with fellow creatives, he joined SLP as a member and volunteer in 2023. He’s grateful to be part of such a warm and welcoming community and is excited to contribute to the Library’s growth.

thisistimb.com

Jon Daries is a video artist and instrument designer residing in Portland. He’s interested in art that exploits the quirks of old technology to make something new. Jon helps administer Synth Library Portland's Lending Program and coordinates community partnerships, including classes at CETI and screenings at The Hollywood Theatre. He enjoys teaching DIY soldering and breadboarding workshops.

Sound and video artist Thomas Fang uses modular synthesizers and esoteric antique electronic test equipment in a multidisciplinary practice that draws from both media archaeology and forward-looking explorations of technology. Working for synth manufacturers since 2008 has led him to embrace the newest hardware, while still allowing chaotic and aleatoric forces to guide creative processes. In 2001 he co-founded the Artificial Music Machine record label and began performing in the US and internationally, both solo and in ensembles. He has been a curator for arts nonprofit Church of the Friendly Ghost, staff member of Austin Museum of Digital Art and Texas Performing Arts, and has taught synthesis and circuit bending workshops for New Media Art and Sound Summit, Modern Aural Sculpture Symposium South, Future Music Summit, and other events. Thomas has been a facilitator and administrator for the Synth Library from its inception in 2016. Since 2010 he has worked at 4ms Company, a primary sponsor of SLP.

Max Jersak is an artist, educator, sound designer, community organizer, and video synthesist. She performs live visual and sonic improvisation under the moniker Max Myriad, primarily using hardware musical instruments and visual instruments, with a focus on modular synthesis. Her process draws inspiration from a background studying biochemistry and philosophy of mind, where simple components like molecules and neurons mutually interact or feedback to form the larger complex structures of organism and mind. In 2017 she worked as a sound designer and created multi-modal tutorials teaching Ableton Live and electronic music production which blended textual and visual explanation. In 2019 she began teaching in person as a facilitator at Synth Library Portland and has continued since. In January 2023 she became Program Director at Synth Library Portland.

Jordan Porto is a guitarist, synthesist, producer, and audio engineer. His background includes work in art and cultural policy with the City of Chicago, social science research, and corporate product development. As an artist and engineer, he specializes in bringing atmospherics and subtle textures to collaborative projects. A resident of Portland since 2021, he writes, records, and performs with several groups in the city. After joining SLP as a volunteer in 2022, he was hired in early 2023. Responsibilities include grants management, event production, fiscal sponsorships, social media, and community outreach.

Matthew Rempes is a video instrument designer, synthesist and educator based in Portland. His work is centered around creating novel analog computing instruments to explore obsolete analog video formats and experimental sound design. He helps administer Synth Library Portland's lending program and organizes opportunities for local and visiting artists to lead synthesis-related workshops.

Beth Wooten is a painter, musician, and vinyl DJ with over a decade of experience in nonprofit management. Primarily a guitar player, she realized the joys of synths and midi sequencing after an impulse buy of second-hand Korg Volcas. The interest grew to attending Synth Library workshops and benefiting from their gear lending program. She's continuously inspired by SLP's community and mission of democratizing access to electronic music. With a law degree and bookkeeping skills, she supports SLP in reviewing nonprofit finances, staffing volunteer shifts, and with grant applications.